On Worlds Undone
A World Undone Nicholas Mangan Museum of Contemporary Art, Sydney 5 April – 30 June, 2024 [Published in Art Asia Pacific no. 140, September 2024]…
Then the Letting Go
Forever’s Gonna Start Tonight Aaron Aryadharma Matheson 23 May – 15 June 2024 Liverpool St. Gallery, Sydney [First published in 2024 as catalogue essay for Forever’s…
Breathe Together ∞ Aspergillus Tubingensis / The Things We Made Next
Last autumn I was commissioned by Assembly for the Future to make a speculative design for The Things We Made Next, a travelling exhibition that…
Feminist Infrastructure for Better Weathering
[co-authored with Jennifer Hamilton & Astrida Neimanis, published Oct 2021 in Australian Feminist Studies online] ABSTRACT: Big infrastructure responses to climate change seek to protect…
Extinction archive at 2nd Macao Biennale
The collected archives of the Celestial Emporium of Benevolent Knowledge & its associated Extinction Club Reading Group travelled earlier this year to Macao for ‘Art…
Gardening Essentials / in Uncertain Arrangements with Ghosts, Among Others
[Published in Judith Wielander & Gilly Karjevsky (eds.) Parckdesign 2016: Jardin Essentiel, Parckdesign, Brussels, 2020. The book documents Jardin Essentiel, a public art project with…
Lichen on the airwaves
In August I made an experimental radio piece with Sumugan Sivanesan across time zones and continents for Mustarinda’s Lichen Fest #2, a festival celebrating the…
Reading Together on Extinction in Beijing
I spent the second half of 2018 at the Institute for Provocation (IFP) in Beijing, China, via the Australia Council International Residencies program. Apart from…
More being with mushrooms, at Saari Residence
2019 was filled with mushrooms. Sweet dessert mushrooms, big fat blue ones, tiny pea-sprout-tasting ones, pretty much any kind of edible mushroom you can imagine.…
Creole Gardens: Growing Otherwise
[Originally published in Hans Ulrich Obrist and Asad Raza (eds.) Mondialité Or the Archipelagos of Édouard Glissant, Brussels, Skira/Boghossian Foundation Villa Empain, 2017. Also translated…
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